Dr. Pat Hulsebosch’s
PERSONAL PHILOSOPHY
STATEMENT
Written as part of my
1996 Tenure Portfolio
My
"project" in life, as I now see it, has been to passionately
work for justice towards learning communities in
which all voices are heard. During the past twelve years at
universities, and for a number of years before, I've worked on this project
through my parenting, teaching, administrative work, consulting, research and
writing: in other words, through education.
As is true of everyone, the roots of what I do and how I do it lie
in my autobiography. The thread of that
life story is woven throughout every section of this tenure and promotion
document. In my personal statement I'll
highlight the cultural, theoretical, and experiential underpinnings of
my life's work. In the remaining sections of my Portfolio I provide specific
examples of the ways in which I have enacted these meanings in my work.
"Real" Work
Marge Piercy's
poem, To Be of Use, perhaps best captures the spirit of my life's work:
The
people I love the best
jump
into work head first
without
dallying into the shallows
and
swim off with sure strokes almost out of sight.
They
seem to become natives of that element
the
black sleek heads of seals
bouncing
like half-submerged balls.
I love
people who harness themselves, an ox to a heavy cart,
who
pull like water buffalo, with massive patience,
who
strain in the mud and the muck to move things forward,
who do
what has to be done again and again.
I want
to be with people who submerge
in the
task, who go into the fields to harvest
and
work in a row and pass the bags along,
who
are not parlor generals and field deserters
but move in a common rhythm
when
the food must come in or the fire be put out.
The
work of the world is common as mud.
Botched
it smears the hands and crumbles to dust.
But
the thing worth doing well
has a
shape that satisfies, clean and evident.
Greek
amphoras for wine or oil
Hopi
vases that held corn, are put in museums
but
you know they were made to be used.
The
pitcher cries for water to carry
and a
person for work that is real.
Education,
especially undergraduate preservice education, is some of the most real work I
know. It consists of numerous seemingly small, insignificant, day-to-day
contacts with principals, teachers, and their
students in halls, classrooms, and on the street -- all in a common
rhythm that must get done, again and again, week after week, quarter after
quarter. To the unaware eye, preservice education might look "common as
mud". In this document I hope to help the reader see the work I've done as
satisfying, useful and important.
PASSION
In all that I do, wherever I am, I am a
teacher. Teaching is a calling for me,
as, I believe, it must be for all good teachers. Teaching is too
demanding a profession for anyone to be able to sustain it well unless that
person is deeply committed to education. Few people go into the teaching
profession saying that they will be a mediocre teacher. Most remember one
(often no more than that) exceptional teacher who made a difference in their
life. For me it was Sister Eudes in 4th grade who recognized that I was a
down-in the dirt marble player as well as a bookish student. Much later it was
Bill Schubert at UIC, who experimented with his own teaching over the three
years I studied with him, and who facilitated the formation of the study group
that would become the "Bloodsisters".
Or, people
remember a number of mediocre teachers whose example they want to
counteract. Teacher education students will often say they don't want
other students to go through what they
went through. I vividly remember the day, some 20 years ago, when I vowed I
would go on to get my doctorate in teacher education so I could break the chain
of "do as I say, not as I do" professors. I didn't
want other preservice teachers to also endure this frustration. (That is also,
by the way, a major reason for my decision to teach at NCE where I knew faculty
to be committed to modeling the "best practice" they teach.)
But to
teach well, especially within institutions like schools and universities, requires that teachers be risk-takers for
their students, and that they be able, when needed, to independently solve the
hundreds of problems that arise daily. It requires that they suspend judgment
about the students, parents, and communities with whom they come in contact;
that they be at least tolerant and respectful of individuals, and,
hopefully, value differences among people.
I learned
to be independent the hard way -- by getting married and having my first son in
my 16th year. I learned to be a problem solver
by raising two boys as a single mother in my early twenties, and by
leaving my family and striking out for a doctoral program and a new life in
Chicago as I turned 30. I learned to suspend judgment by a life which led me
through summer jobs as a dancer in a night club and waitressing at the White
Castle and Greyhound Bus Station, and
through health clinics and food stamp offices
when my salary wasn't enough to support two growing boys. I found that I
could learn something from everyone I worked
with. I learned to value differences through these work experiences before I
even became a teacher.
I learned about passion and commitment and
risk-taking through the years I spent teaching at Horizons, a private
"alternative" elementary school which some friends I created in a rented storefront.
Horizons attracted families
whose children didn't "fit"
in the public school systems in Florida. There was Mark, whose mother
was a mathematician and who was doing trigonometry in the 4th grade. There was
Brick, whose father was in prison for a murder Brick saw him commit. There were
Amara and Maya, whose father taught
about the Cuban revolution at the university and whose parents wanted them to
learn to think for themselves rather than follow directions. And there were many others who'd been
labeled LD or BD or gifted or just miserable in other schools. Sometimes it was
simply that their parents wanted a place that their children could learn and be
happy from 7am to 6pm (all were working parents).
At Horizon
we created a school to which children looked forward to coming each day, even
when they were sick or had other good reasons to stay home. This was the
1970's, when behaviorism and mastery
learning were in favor, and, as a graduate of a program in special education, I was heavily influenced by B.F.
Skinner (As a "born-again" progressive and constructivist, I am
embarrassed to admit this nowadays). Yet, despite checklists, charts, and a
token economy, we were able to sustain interest and excitement partially
because we, the teachers, were excited and deeply committed to our students and
our teaching. I believe it is this type of commitment, along with a willingness
to experiment, that has more influence on learning than any particular teaching
strategy.
The
experience of working as a team to create Horizon School from the ground up (we
literally built our own tables and scrounged books and supplies) taught me
about what wonderful things can happen with a lot of risk-taking and
determination. Teaching such a varied group of students (at least in terms of
socio-economic class, religion, values, and abilities), taught me respect for
differences within a community of learners. And teaching in a school in which
parents had a strong voice and were themselves so diverse in what they knew and
were able to do, taught me the value of working with whole-school communities.
There I also learned that you cannot be for children without being for
their families. I later went on to do my dissertation research on relationships
between parents and teachers and continue to look for ways to support home-school connections
through my consulting and research.
Although a
deep commitment to teaching has been with me a long time, it was Bill Ayers, my
colleague and mentor from the University of Illinois at Chicago (UIC), who
taught me that passion is equally as important in higher education (if not more
so), as it was with young children. Together Bill and I created and taught an
in "alternative" undergraduate teacher education for a year as I
completed my doctorate at UIC. This was an experience which paralleled, in many
ways, the earlier experiences I had of creating an "ideal" school.
Throughout this experience, at a time when I was being socialized into the
culture of academia at a major research university, Bill helped me to remain
true to this valuable, but not always valued, part of my self.
At the center of all my roles -- teacher, advisor, administrator, consultant,
committee member -- is a deep passion
for work well done. I sustain this passion
by listening and talking to,
reading about, and watching passionate teachers. Sylvia Ashton-Warner (Teacher), Marva
Collins, Bill Ayers, and each year's award-winning Golden Apple teachers are all people who affirm the power and
potential in passionate teaching. In all of my efforts for the teaching
profession, I try to spark and sustain an ardor for the "common" work
of teaching because without that, education is lifeless, but with that,
much is possible.
COMMUNITY
My lessons on
community began early in my own schooling within the community of the Catholic
church. At Our Lady of Perpetual Help,
a parochial school in Corpus Christi, Texas,
I found a safe and satisfying place in which I could show my "stuff", and
wanted to recreate the same kind of experience for future generations. Being a
"teaching nun" seemed the perfect answer to my desire to teach within
a community, and so I was part of the group at school that went off for weekly sessions on our
"calling". By Junior High I'd discovered boys, however, and
redirected my attention to the teaching profession outside the convent.
Although I
abandoned the idea of living in the religious community, I was seldom, from
that time forward, without some sort of "group" with which to share
life's work, troubles, and triumphs. After the usual "gangs" in high
school, there was the cohort of the "Special Program" that I went through for my preservice teacher
education. Later, I became a member of a team of four in the first grade
"pod" at a newly built "open-classroom" school in Shady
Hills, Florida. I left that team to join the faculty at a progressive early
childhood center, Learning Space, and
later left there with several colleagues
to start our own "alternative" school, Horizons Elementary.
Horizon was a
"home away from home" for our students, or what some of the theorists
in parent-teacher relationships call a "home-school", most of whom
were there eleven hours a day, year-round. We began the school with Kindergarten through third grade, and my
oldest son was a student in my classroom. As the years went on and children and
their parents asked to be able to stay at Horizon, we added grade levels,
experimenting with "family groupings" in which there were multiple
grade levels together with a teacher. When I left I had taught several students for five consecutive years and knew
their families well. At Horizon is experienced a learning community and saw how
teacher actions and attitudes (such as highlighting everyone's strengths, and
solving problems together) helped nurture that community.
Probably the
most rewarding portion of my Ph.D. program began as a study group, and later
continued to become "the
Bloodsisters", a network of feminist educators which is still important in
my professional life. These smaller communities within larger communities
balanced the independent problem-solver in me and taught me the importance of
receiving help as well as giving it. I realized that I never had all the
answers myself, and that when people work together there is often a creative
synergism that is greater than the individuals involved.
When I moved to Chicago, I was strengthened by being part
of a strong politically-active bisexual and lesbian community. There I met
people like Sharon Page, a community organizer, and Lynda Myers, a social
worker, who had long histories of
organizing for social justice. They taught me to think in terms of
systems and context, and to work strategically for change, all of which is now
part of the curriculum of the professional courses I teach. From them I also learned about other
cultural communities such as the Deaf community and the labor movement, and
more about my own "position"
in the world as a woman with working class origins.
In the last few
years I have become part of another
politically active community: the "reform" community working in
Chicago Public schools. In that community I have learned even more to
appreciate the variety of contributions that people make, from monied business
people, to religious leaders, to neighborhood activists. I have also learned to
meet people where they are, to suspend judgment, to work alongside of people in
whatever I and they do, and to "code-switch" from the language of one
culture to another.
One of the ideas
I stress with new teachers, is that teaching is too complex and demanding for
us to try to do it alone. We need to form networks to sustain, support, and
challenge each other within trusting
relationships. Experienced teachers who have been successful (who have stayed
in teaching and continued to perfect their craft) do this. As a teacher of
teachers, I too seek out others with whom to discuss teaching, research,
and writing. When I first became a
professor I was part of a cross-university "Curriculum Collective"
which met regularly to discuss ideas. Later I became part of feminist study groups, and I'm now writing my portfolio as part of a study/support
group of colleagues all working on the same.
My current
research is with another type of "community", a group of
"culturally aware" teachers
who are examining the role that cultural identity plays in our work. I have been an organizer (with Bill Ayers)
of a teacher education programs at the University of Illinois, at NLU in Chicago,
and now at Gallaudet, around continuing cohort groups which can form and
sustain ongoing relationships among preservice students, and between our
students and teacher mentors in the schools. Similarly, I have been active in
developing programs which support teacher candidates in joining the
"community of educators" early on: as high school students (through
the Cabrini-Green - CYCLE's Future Teacher Program), in their first quarter at
NLU (through a strong connection to a College of Education advisor and through
the University Success Seminars), and in their first professional education
course (Participation or what's now called Practicum I).
VOICE
Creating
circumstances in which all participants are able to be heard is another
element of my life's work. Having spent
nine years in an abusive marriage in which I felt I had no voice (or choices),
I know first-hand about the wasted potential that accompanies a position (real or perceived) of
powerlessness. Although I attended college while in this relationship, I went
through most years of my undergraduate
program not having enough self-confidence to ask, or even answer questions, in
my classes. I obediently followed instructions and completed assignments but
learned relatively little compared to what I might have had I explored the
curriculum more.
The turning
point came on a day which I can still clearly recall on which I saw a film on
birthing in a Marriage and Family class. In the film the woman gave birth after
having learned about the process through Lamaze classes. She was informed,
vocal, and in control, telling the people around her what she needed to give
birth well. Having had one child already I knew what a contrast this was to the
[then] typical birth experience of being "knocked out" and having the
birth done to you. I wondered what it might mean to take more control of
my next birth experience -- of my
life. I decided to pursue my new found
interest in women's experiences by taking some electives in the a Women's
Studies Department. In doing so I came across a radical notion: feminism
- the belief that women are people too with as much capability, right, and
power to have a voice as men. Two years later, when my husband once again
turned to me, in the midst of an argument,
and asked, "Do you think you
can raise the boys on your own?" I paused, and answered,
"Yes". From that point on I've been answering, "Yes" each
time either an inner or an outer voice asks me, "Do you think you can
____?"
My pursuit of
voice has, perhaps, been one of the greatest challenges in my career. Much of
my teaching approach has as its starting place
"finding voice" because unless a learner surfaces the
questions, ideas, and experiences that they bring to the learning setting, they
will not be able to actively engage with new ideas. Unless they engage with the
material, they cannot truly learn. Finally, as a foremost author on
multiculturalism, James Banks, points
out, only by having all voices present in the classroom can we hope
to teach in a way that responds to our multicultural world and prepares our
students to do the same. I'm excited
when I see students and teachers, who
have not had much experience or
confidence with expressing their ideas, become interested and excited when
asked, encouraged, and supported in doing so. This excitement over
"creating spaces, finding voices" (ala Janet Miller, 1990) is why I
particularly love teaching on the Chicago campus where students come with such
a rich background of experience, and some awareness of the ways their voices
have been suppressed. I learn a great deal from students and love showing them
ways to cross the bridge from what they know to whatever "academic"
knowledge they don't already have.
The classroom is
one place where I strive to "find voice". My research is another.
Much of the service and consulting work that I do with school communities is
"evaluation research" in which programs which are funded by
philanthropic organizations bring in an outside person to assess "how
they're doing", both formatively and summatively. I have been the outside
evaluator on several projects in which various members of school communities
(teachers, parents, university faculty, foundations) are working together to
restructure schools: the Urban Teacher
Education Program in Indiana, the Professional Development School Project at
the Chicago Teachers' Center, the Teachers' Academy for Math and Science's
School-Community Partnership Development component, and the Small
School Workshop at UIC.
The work these
groups are doing is usually complex,
experimental and evolutionary,
and the participants themselves have a difficult time getting a clear picture
of what's going on. I interview, write, and
talk with the stakeholders in small and large groups in order to for the
participants to "tell their stories" among themselves, as well
as to a wider audience. Through this
portion of my work I've seen even more clearly how divergent is the
understanding people have of the same
events, depending on their own autobiographies and experiences. No one
understanding is more correct than others, but all perspectives are important
to the whole. I've learned to be
non-intrusive and facilitative in gathering "data". Few people
in school communities which are working towards reform have the time or the
patience for formal evaluations apart from their daily work. I've also learned
to be a translator and bridge-builder between groups.
My current
research agenda is another area in which the voices of people who are
traditionally not heard are brought into the conversation about ways in which
teachers might respond to increasingly diverse student populations. For three
years my colleague, Mari Koerner, and I have been meeting with six teachers (we
started when they were students in our
programs) to discuss the influence of our cultural identities on our teaching.
The genesis of
this group is itself, a story of "voice" in which Mari and I decided
that rather than continuing to be dependent on the people who'd mentored us
through our doctoral program (and sometimes a little envious of the accolades
they received through their leadership in joint projects), we would mentor and
support one another in developing our own research and writing agenda. That was
2 1/2 years ago. Since then we have
done ten presentations or workshops, co-authored four journal articles, a book
chapter, and a special issue of a journal, and now have a book proposal under
consideration. We have learned to work together despite sometimes contradictory
styles. We have moved from
interviewing students, to what we now
think of as collaborative "teacher-research"
which influences the day-to-day classroom practice of all of us..
Writing is
probably the most challenging area in
which I've developed my ability to have an authentic voice. Throughout my
academic career (Kindergarten through Ph.D.) I had felt successful at
writing. It wasn't until I finished my doctoral program and attempted to
"say" something to a larger audience about my research, that I
realized that I didn't know how to do that. My success had all been at
synthesizing and interpreting other people's ideas, not conveying my own. The
last five years have been a painful struggle to trust my own ideas and ways of
expressing them. Bill Schubert, who had been my major professor in my doctoral
program, nudged me in this direction by accompanying opportunities for
publishing with him with requests for autobiographical themes in the writing I
did. (It's much more difficult to write in "academise" when telling
your life story.) Bill Ayers, my
mentor in much of my college teaching and reform work, has also been generous
as an editor and supportive in affirming that what I have to say is worth
taking the time to say well. And it was through conversations with Jose Rosario, with whom I worked in the
Urban Teacher Education Program, about the "burden" of writing as an
academic that I first realized that
writing could and should be, not an obligation, but something I do for myself.
Now I can hardly believe that no one before ever taught me how valuable (though
still scarry) writing can be for understanding my ideas. A recent article
bemoaning the decrease in "serious readers" speaks to my new-found
realization:
"Why do
[we] keep writing books when most are so little read? Because no other medium
permits the spaciousness of time or intensity of concentration to plumb the
depths of an experience or an idea....Authors will keep writing...whether they
find readers or not, because it's their way of understanding their world." (Sommer, M.,
1994, Christian Science Monitor)
Through
people who have mentored me (Ayers and Schubert), the many educators who have
entered the conversation about the writing process (such as Toby Fulwiler,
Reggie Routman and Lynn Atwell), the progressive education tradition (esp. John
Dewey), and feminist researchers who are talking about "connected
knowing" (as described in Women's
Ways of Knowing by Belenky et.al.)
I have learned to begin with what I know best (my autobiography) and
expand to the world of larger ideas, in my writing. My involvement in the "Writing Across the Curriculum"
faculty development project at NLU two years ago helped to cement the
connection between my use of writing as a pedagogical tool, and process writing
as an approach in elementary classrooms.
Mirrors and Windows
I've been
described as outspoken, intense,
thorough, and audacious. Recently, while reading a Frommer's Travel Guide to Amsterdam I was thrilled to
"see" myself depicted on its pages:
"The Dutch aren't particularly emotional
or hotheaded, but then they aren't shy about speaking their minds either. They
are fiercely independent and yet are so tolerant of other people's problems and
attitudes that their country nearly equals the U.S. as traditional haven for the world's exiles and
emigres. ...The uniquely Dutch combination of tolerance and individualism has
from time to time allowed scandalous eyesores to develop: the nightly spectacle
of hippies sleeping on Amsterdam's Dam Square in he 1960's; the dubious decision of prominent Dutch cabinet
ministers to pose nude in the chambers of Parliament for publication in the
Dutch edition of Playboy
magazine."
Although who I
am and what I do has evolved throughout my life, this paragraph makes me wonder
how much of who I am originated in my Dutch heritage. Reading this simple statement was validating and affirming. I
thought there was no one else like me anywhere and I had never been able to
figure out how I'd come to be what I thought of as such a strange combination
of traits. I am once again reminded of Peggy Macintosh's metaphor of curriculum
as mirror and window (Wellesley Center's SEED** Project): a mirror of our
own perspectives, as well as a window onto other people's
experiences and ideas. My challenge is to constantly keep a mirror on myself so
that who I am is part of my professional identity -- the unpopular (e.g.,
lesbian, working-class), as well as the favored parts of myself. My challenge
is to continue to open windows for myself which help me to understand new
perspectives and ideas. My work is an
attempt to create an in- and out-of-school curriculum that is made up of both
mirrors and windows for all learners.
** SEED stands for "Seeking Educational Excellence
through Diversity"